The Devil in Britain and America

Leesfragment
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  • SynopsisTo
  • my
  • thinking,
  • all
  • modern
  • English
  • books
  • on
  • the
  • Devil
  • and
  • his
  • works
  • are
  • unsatisfactory.
  • They
  • all
  • run
  • in
  • the
  • same
  • groove,
  • give
  • the
  • same
  • cases
  • of
  • witchcraft,
  • and,
  • moreover,
  • not
  • one
  • of
  • them
  • is
  • illustrated.
  • I
  • have
  • endeavoured
  • to
  • remedy
  • this
  • by
  • localizing
  • my
  • facts,
  • and
  • by
  • reproducing
  • all
  • the
  • engravings
  • I
  • could
  • find
  • suitable
  • to
  • my
  • purpose.I
  • have
  • also
  • tried
  • to
  • give
  • a
  • succinct
  • account
  • of
  • demonology
  • and
  • witchcraft
  • in
  • England
  • and
  • America,
  • by
  • adducing
  • authorities
  • not
  • usually
  • given,
  • and
  • by
  • a
  • painstaking
  • research
  • into
  • old
  • cases,
  • carefully
  • taking
  • everything
  • from
  • original
  • sources,
  • and
  • bringing
  • to
  • light
  • very
  • many
  • cases
  • never
  • before
  • republished.For
  • the
  • benefit
  • of
  • students,
  • I
  • have
  • givenas
  • an
  • Appendixa
  • list
  • of
  • the
  • books
  • consulted
  • in
  • the
  • preparation
  • of
  • this
  • work,
  • which,
  • however,
  • the
  • student
  • must
  • remember
  • is
  • not
  • an
  • exhaustive
  • bibliography
  • on
  • the
  • subject,
  • but
  • only
  • applies
  • to
  • this
  • book,
  • whose
  • raison
  • dêtre
  • is
  • its
  • localization.The
  • frontispiece
  • is
  • supposed
  • to
  • be
  • the
  • only
  • specimen
  • of
  • Satanic
  • caligraphy
  • in
  • existence,
  • and
  • is
  • taken
  • from
  • the
  • Introductio
  • in
  • Chaldaicam
  • Linguam,
  • etc.,
  • by
  • Albonesi
  • (Pavia,
  • 1532).
  • The
  • author
  • says
  • that
  • by
  • the
  • conjuration
  • of
  • Ludovico
  • Spoletano
  • the
  • Devil
  • was
  • called
  • up,
  • and
  • adjured
  • to
  • write
  • a
  • legible
  • and
  • clear
  • answer
  • to
  • a
  • question
  • asked
  • him.
  • Some
  • invisible
  • power
  • took
  • the
  • pen,
  • which
  • seemed
  • suspended
  • in
  • the
  • air,
  • and
  • rapidly
  • wrote
  • what
  • is
  • facsimiled.
  • The
  • writing
  • was
  • given
  • to
  • Albonesi
  • (who,
  • however,
  • confesses
  • that
  • no
  • one
  • can
  • decipher
  • it),
  • and
  • his
  • chief
  • printer
  • reproduced
  • it
  • very
  • accurately.
  • I
  • am
  • told
  • by
  • experts
  • that
  • in
  • some
  • of
  • the
  • characters
  • may
  • be
  • found
  • a
  • trace
  • of
  • Amharic,
  • a
  • language
  • spoken
  • in
  • its
  • purity
  • in
  • the
  • province
  • of
  • Amhara
  • (Ethiopia),
  • and
  • which,
  • according
  • to
  • a
  • legend,
  • was
  • the
  • primeval
  • language
  • spoken
  • in
  • Eden.JOHN
  • ASHTON.CHAPTER
  • IUniversal
  • Belief
  • in
  • the
  • Personality
  • of
  • the
  • Devil,
  • as
  • portrayed
  • by
  • the
  • British
  • ArtistArguments
  • in
  • Favour
  • of
  • his
  • PersonalityBalladTerrible
  • and
  • Seasonable
  • Warning
  • to
  • Young
  • Men.The
  • belief
  • in
  • a
  • good
  • and
  • evil
  • influence
  • has
  • existed
  • from
  • the
  • earliest
  • ages,
  • in
  • every
  • nation
  • having
  • a
  • religion.
  • The
  • Egyptians
  • had
  • their
  • Typho,
  • the
  • Assyrians
  • their
  • Ti-a-mat
  • (the
  • Serpent),
  • the
  • Hebrews
  • their
  • Beelzebub,
  • or
  • Prince
  • of
  • Flies,[1]
  • and
  • the
  • Scandinavians
  • their
  • Loki.
  • And
  • many
  • religions
  • teach
  • that
  • the
  • evil
  • influence
  • has
  • a
  • stronger
  • hold
  • upon
  • mankind
  • than
  • the
  • good
  • influenceso
  • great,
  • indeed,
  • as
  • to
  • nullify
  • it
  • in
  • a
  • large
  • degree.
  • Christianity
  • especially
  • teaches
  • this:
  • Enter
  • ye
  • by
  • the
  • narrow
  • gate;
  • for
  • wide
  • is
  • the
  • gate,
  • and
  • broad
  • is
  • the
  • way,
  • that
  • leadeth
  • to
  • destruction,
  • and
  • many
  • be
  • they
  • that
  • enter
  • in
  • thereby.
  • For
  • narrow
  • is
  • the
  • gate,
  • and
  • straitened
  • the
  • way,
  • that
  • leadeth
  • unto
  • life,
  • and
  • few
  • be
  • they
  • that
  • find
  • it.
  • This
  • doctrine
  • of
  • the
  • great
  • power
  • of
  • the
  • Devil,
  • or
  • evil
  • influence
  • over
  • man,
  • is
  • preached
  • from
  • every
  • pulpit,
  • under
  • every
  • form
  • of
  • Christianity,
  • throughout
  • the
  • world;
  • and
  • although
  • at
  • the
  • present
  • time
  • it
  • is
  • only
  • confined
  • to
  • the
  • greater
  • moral
  • power
  • of
  • the
  • Devil
  • over
  • man,
  • at
  • an
  • earlier
  • period
  • it
  • was
  • an
  • article
  • of
  • belief
  • that
  • he
  • was
  • able
  • to
  • exercise
  • a
  • greater
  • physical
  • power.This
  • was
  • coincident
  • with
  • a
  • belief
  • in
  • his
  • personality;
  • and
  • it
  • is
  • only
  • in
  • modern
  • times
  • that
  • that
  • personality
  • takes
  • an
  • alluring
  • form.
  • In
  • the
  • olden
  • days
  • the
  • Devil
  • was
  • always
  • depicted
  • as
  • ugly
  • and
  • repulsive
  • as
  • the
  • artist
  • could
  • represent
  • him,
  • and
  • yet
  • he
  • could
  • have
  • learned
  • a
  • great
  • deal
  • from
  • the
  • modern
  • Chinese
  • and
  • Japanese.
  • The
  • great
  • God
  • Pan,
  • although
  • he
  • was
  • dead,
  • was
  • resuscitated
  • in
  • order
  • to
  • furnish
  • a
  • type
  • for
  • the
  • Prince
  • of
  • Darkness;
  • and,
  • accordingly,
  • he
  • was
  • portrayed
  • with
  • horns,
  • tail
  • and
  • cloven
  • feet,
  • making
  • him
  • an
  • animal,
  • according
  • to
  • a
  • mot
  • attributed
  • to
  • Cuvier,
  • graminivorous,
  • and
  • decidedly
  • ruminant;
  • while,
  • to
  • complete
  • his
  • classical
  • ensemble,
  • he
  • was
  • invested
  • with
  • the
  • forked
  • sceptre
  • of
  • Pluto,
  • only
  • supplemented
  • with
  • another time.
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