Facts and Fancies

Essays Written Mostly for Fun

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  • Witty
  • and
  • whimsical
  • writings
  • about
  • the
  • dance
  • of
  • life
  • by
  • the
  • legendary
  • choreographer.This
  • wonderful
  • new
  • book
  • by
  • one
  • of
  • the
  • preeminent
  • dancers
  • and
  • choreographers
  • consists
  • of
  • a
  • range
  • of
  • pieces
  • of
  • fact
  • and
  • fiction
  • that
  • run
  • from
  • thoughts
  • on
  • friendliness
  • and
  • country
  • living
  • to
  • animosity
  • and
  • city
  • life.
  • Taylor’s
  • first
  • book
  • since
  • his
  • autobiography
  • (Private
  • Domain,
  • 1995,
  • Alfred
  • A.
  • Knopf)
  • is
  • a
  • romp
  • through
  • his
  • playful
  • mind,
  • with
  • chapter
  • titles
  • such
  • as:
  • Why
  • I
  • Make
  • Dances,
  • The
  • Redheaded
  • Spiritualist,
  • Martha
  • Close
  • Up,
  • Clytemnestra,
  • How
  • to
  • Tell
  • Ballet
  • from
  • Modern,
  • and
  • In
  • the
  • Marcel
  • Proust
  • Suite
  • of
  • L’Hotel
  • Continental.“No
  • other
  • dancer
  • ever
  • looked
  • like
  • Paul
  • Taylor,
  • that
  • strapping,
  • elastic,
  • goofy
  • hunk
  • of
  • a
  • guy,
  • and
  • no
  • one
  • else’s
  • dance
  • works
  • look
  • like
  • his
  • either—not
  • the
  • deep,
  • dark
  • ones
  • or
  • the
  • zany
  • ones
  • or
  • the
  • uplifting
  • ones.
  • His
  • vocabulary,
  • his
  • tone
  • are
  • unique
  • and
  • unmistakable.
  • The
  • same
  • thing
  • is
  • true,
  • it
  • turns
  • out,
  • about
  • his
  • writing.
  • His
  • style
  • is
  • utterly
  • his
  • own,
  • and
  • like
  • all
  • real
  • style
  • it
  • isn’t
  • a
  • calculated
  • voice
  • but
  • a
  • reflection
  • of
  • the
  • way
  • his
  • quirky
  • mind
  • works.”
  • —From
  • the
  • foreword
  • by
  • Robert
  • Gottlieb“Taylor
  • has
  • not
  • cultivated
  • one
  • writing
  • persona,
  • but
  • has
  • unleashed
  • a
  • raft
  • of
  • voices
  • in
  • a
  • raft
  • of
  • forms:
  • travesty,
  • comedy,
  • fiction,
  • essay,
  • satire,
  • allegory,
  • poetry,
  • fable,
  • epistle.
  • While
  • many
  • of
  • these
  • selections
  • are
  • humorous,
  • as
  • anyone
  • familiar
  • with
  • Taylor’s
  • choreography
  • knows,
  • even
  • in
  • the
  • sunniest
  • of
  • his
  • dances,
  • there
  • are
  • often
  • threatening
  • clouds
  • on
  • the
  • horizon.
  • And
  • the
  • canny
  • Taylor
  • recognizes
  • when
  • to
  • swap
  • his
  • Janus
  • masks
  • for
  • maximum
  • emotional
  • wallop.”
  • —From
  • the
  • introduction
  • by
  • Suzanne Carbonneau
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